Street Photographer Vivian Maier's Vintage Prints, Self-Portraits and Earliest Camera Work to Auction
Heritage Auctions
Vivian Maier, Playdate, circa 1950s
Vivian Maier's photographs only caught the world's attention several years after her death when storage locker sales in Chicago unearthed thousands of her photos and negatives. On May 2, Heritage Auctions will present a selection of her photographs that she printed herself or had printed in her lifetime, almost none of which has been made available until now.
While it's estimated that Maier took upwards of 100,000 photos, beginning her signature square Rolleiflex work in 1952 the vast majority of her work surfaced as negatives. Maier, an American born in New York to a French mother and Austrian father, rarely printed her work or had it printed by others.
"The Vivian Maier Photographs: A Singular Vision auction is the first of its kind, focused exclusively on Maier and solely offering her vintage work," said Sarahjane Blum, Heritage's Director of Illustration Art. "Offering selections from the collection of Ron Slattery, one of the original collectors responsible for bringing Maier's work into public view, this event features a careful selection of Maier's vintage prints, negatives, transparencies, and personal ephemera. Maier is not thought to have exhibited or sold her work during her lifetime, which makes the breadth of her vintage work available as part of this auction all the more significant."
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Heritage Auctions
Palisades Amusement Park Wave Pool, 1952
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Heritage Auctions
Cocoon, circa 1950s
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Heritage Auctions
Self-portrait with others, 1969
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Heritage Auctions
Self-portrait with still life, 1969
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Heritage Auctions
Smoking in the street, circa 1955
Highlights include:
* 20 large-format exhibition prints created by Maier in the late 1950s, most of which have not been made public since their initial storage locker sale
* a selection of portraits, street photography, travel photography, landscapes, experimentation with abstraction, and expanded narrative
* a selection of Maier's self-portraits as negatives and transparencies in both black and white and in color, taken as she walked through bustling city streets and snapped her own reflection in shop windows and sales-display mirrors