Bright Young Collectors | February 12, 2025 | Nate Pedersen

Book Collector Emily Chauvin on Aesthetic Theory, Artists' Books, and Desert Island Books

Emily Chauvin

Emily Chauvin

Our Bright Young Collectors series continues today with Emily Chauvin, an honorable mention in the 2024 Honey & Wax Book Collecting Prize for women collectors aged 30 and younger:

Where are you from / where do you live?

I just moved back to Brooklyn after a stint roaming the East Coast. I’m originally from the woods of Connecticut.

What did you study at University? What do you do now for an occupation?

I had a double major in creative writing and a self-designed major I titled ‘Aesthetics; Theory & Practice.’ I mixed art classes with philosophy and curatorial arts. 

I’ve had a million jobs since I graduated, from event manager at an oddities museum, to clowning, to modeling, higher ed, flea market manager, farmer, and more. I am currently working on a one-woman immersive performance art show.

Please introduce us to your book collection.  What areas do you collect in? 

I collect books that range from pure aesthetic theory from the philosophy realm, to artist books, books on creativity itself, and, delightfully, books of art that comment on art itself. This may include an artist recording their artistic journey artfully, musings on artistic practice, or delineating the meaning behind their art.

How many books are in your collection?

In this sub-section of my larger library, I estimate about 100. My larger library must be about 800.

What was the first book you bought for your collection?

It’s hard to say, but I remember a lightbulb going off when I found Painting and Reality by Etienne Gilson. It seemed to sum up my heretofore unnamable niche interest in the arts. Thus began my practice in conceptual art.

How about the most recent book?

My most recent book is Lynda Barry’s book of collages. They include not only stories of her life, but prompts, guides, and meditations for making creations of your own. This, to me, is a perfect synthesis of what I’m looking for in my ‘Meta-Art’ collection.

And your favorite book in your collection?

My favorite book might be Beautiful Necessity; The Art and Meaning of Women’s Altars. It was gifted to me by a friend’s mom after I showed my shrine-assemblages at an art gallery. I love considering the mystical contemplation made possible by creating sacred spaces in artful ways. I continue to explore this concept in my installations and performances.

A selection of books from Emily Chauvin's collection
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Emily Chauvin

A selection of books from Emily Chauvin's collection

A selection of books from Emily Chauvin's collection
2/3
Emily Chauvin

A selection of books from Emily Chauvin's collection

A selection of books from Emily Chauvin's collection
3/3
Emily Chauvin

A selection of books from Emily Chauvin's collection

Best bargain you’ve found?

I’m a huge scavenger. On the streets of Brooklyn, I always keep an eye out for ‘stooping’ finds. There is a big culture of people leaving unwanted items in the street for others to pick up. I’ve found rare and expensive books on the street, such as a huge William Blake book of all his paintings, which in perfect condition might sell for up to 450$. 

How about The One that Got Away?

I have a love affair with Bachelard, and found Air and Imagination for free on the street. I started reading it on the train to a friend’s birthday, and my mind was blown open yet again. In the morning, they thought it was their birthday present and accidentally brought it home. For years I tried to get it back, and eventually broke down and dished out for another copy.

What would be the Holy Grail for your collection?

I used to take two buses, a train, and walk two miles to work at the amazing Aldrich Contemporary Museum in Connecticut. The exhibits at the time were right up my alley; found objects, mystical contemplation, silly and absurd sculptures, installation, assemblages galore. I would love a copy of the huge exhibition text so I can look back at the time in my life I spent countless hours staring at all these objects.

Who is your favorite bookseller / bookstore?

My favorite bookseller would have to be the bookstore cafe near to Maria Hernandez park in Bushwick. It’s cozy, you can sit and drink coffee and read for hours, it’s hidden down a residential street. I only found it by wandering around aimlessly. Oh, gosh, and Desert Island books in Williamsburg, because it’s full of niche art comics. They stock local artist zines, international graphic novels, and all sorts of visual/textual delights. And, right next door is Quimby’s, which is also a destination for local zines, piles of them you can sort through for hours if you’re so inclined.

What would you collect if you didn’t collect books?

I already collect clothes and objects. I believe they hold as much cultural history and aesthetic information as a book, or piece of traditional art might. Some of my favorite disciplines in conceptual art is found-object art, art-as-collection, and assemblages. In the one-woman show I am working on, I developed a story only after I collected an entire theater-set worth of objects. Once the maximalist space started coming together, I started wondering, what kind of character would live here? What’s her story?