At Covent Garden, Jacobs had followed her triumph on Turandot with another Serban production, Fidelio in 1986. She created the set as a vast dungeon which finally breaks open as Leonora rescues Florestan and sunlight floods the stage. All 25 stage designs for the production are part of the archive.
For the ENO in 1988 she also designed a critically approved Eugene Onegin, directed by Graham Vick (51 designs for the production are featured here) as are the 31 designs for the David Freeman’s 1996 version of Zimmermann’s modern classic Die Soldaten.
Clive Moss, specialist at Chiswick Auctions, says the work compare favourably with those held by institutions including the Harvard Theatre Collection and Victoria & Albert Museum. “The artworks in the present collection offer an insight into the costume design process behind landmark productions at the Royal Shakespeare Company and Royal Opera. In Jacobs’ signature style, they colourfully depict an array of British acting royalty.”