Raymond Briggs' Writing and Drawing Desk Goes on Display for First Time
Rosie Powell
Raymond Briggs' desk at the new exhibition
A new exhibition featuring never-seen-before artworks and items from the home of author-illustrator Raymond Briggs has opened in the area of East Sussex where he made his home.
Bloomin’ Brilliant: The Life and Work of Raymond Briggs at Ditchling Museum of Art + Craft runs until October 27 and brings together 30 items from the late author´s estate with more than 100 original artworks from his 60-year career. The exhibition joins up with the Raymond Briggs: A Retrospective touring show from the Quentin Blake Centre for Illustration.
This exhibition includes work from Briggs’s most famous titles, including The Snowman (1978), Father Christmas (1973), Fungus the Bogeyman (1977) and When the Wind Blows (1982), plus the autobiographical graphic novel Ethel and Ernest (1998), and looks into the origin and creation of these images and stories. Also on show are his drawings, hand-lettered typography and page designs from his earliest commissions to his 2004 book The Puddleman.
For the first time following the author´s death in 2022, this exhibition will also offer a deeply personal view of the items and objects that surrounded the author in his Sussex home which was just a mile down the road in the village of Westmeston. This will include Briggs' own writing and drawing desk which he used for over 40 years.
Other items also give a sense of Raymond Briggs' playful response to his own fame. A framed Private Eye magazine edition from 1993 riffing on his most iconic work, a faux blue plaque outlining his commitment to practical jokes, and a 1997 note from his partner´s granddaughter detailing that “Raymond is not a normal person” (an utterance that would also make it onto Briggs' own gravestone) are among the items on show.
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Rosie Powell
One of the drawers in Briggs' desk
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Rosie Powell
Briggs' thoughts on The Snowman...
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Tom Benjamin
Briggs' home office
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Raymond Briggs
The night ride from Father Christmas
A selection of the private correspondence that Briggs kept over the decades will also be included, from the children that enthusiastically wrote to him, to an adult from Pennsylvania who in 1975 admonished him for portraying Santa Claus as “performing an act of personal hygiene”, as well as the author´s own thoughts on the industry he worked in.
Never-seen-before artworks will also be included specifically at Ditchling including artwork for Father Christmas on Holiday, as well as several portraits and other illustrations that for decades never left his home.
“It has been a privilege to be invited by Raymond Briggs’ estate to visit his home and select objects for this exhibition," said Steph Fuller, Director, Ditchling Museum. "Being in his studio among his drawing materials, family photographs and notes to self, it feels as though he might have just stepped out and could return at any moment. I hope we’re able to convey something of that feeling to visitors.”