Auctions | June 25, 2024

Previously Unseen Diaries of Withnail and I Inspiration Vivian MacKerrell to Auction

Sotheby's

Extract from MacKerrell’s diaries

Charismatic young actor Vivian MacKerrell was one of the inspirations for the eponymous central character in Withnail and I, writer-director Bruce Robinson’s 1987 cult classic. His never previously released diaries which feature vivid first-hand accounts of moments immortalised on screen including the intake of lighter fluid and visit to the wolves in Regent's Park will be offered as part of Sotheby's Books & Manuscripts sale frunning June 26 - July 11.

A black comedy, the semi-autobiographical film follows two struggling, hard-drinking young actors who escape London life for the weekend and stay at a cottage owned by Withnail's eccentric uncle. Vivian MacKerrell (1944-1995) shared a house in Camden Town, London, with Robinson where they lived in bohemian squalor not dissimilar to the film. The two volumes of MacKerrell’s diaries cover the years 1974 to 1975, beginning when MacKerrell was still living with Bruce Robinson on Albert Street, and mention that Robinson was beginning a new writing project, Withnail and I

These diaries, not seen beyond MacKerrell’s most intimate circle, showcase the witty, poetic, caustic, debauched and riotous voice that helped to inspire the character of Withnail.  They include the real-life events behind many of the beloved episodes from the film including the mouse-ridden squalor of the flat, the 30th birthday, and feelings about witnessing friends move on with their lives. 

While the film ends when ‘I’ moves out, the diaries continue after Robinson’s departure and show that MacKerrell continued living in the same squalid home, but with new housemates, and an undiminished appetite for drink and drugs. The entries also record MacKerrell’s dreams, lists of songs, miscellaneous notes, creative writing in prose, and draft letters. They will be accompanied by photographs of MacKerrell from his personal archive, including unseen negatives from a Vogue photoshoot, together estimated £12,000 – £18,000.

Vivian Mackerrell was among a group of students from the Central School of Speech and Drama in London living in a house owned by songwriter Lord David Dundas who wrote the musical score for the film. As Robinson recalled in an interview, one by one, their careers took them elsewhere until there were just two people left, himself and MacKerrell. The diaries are a chronicle of bohemian London, as MacKerrell recounts his life – in a state of near-permanent inebriation – with many colourful characters and happenings along the way. 


In the early months of 1974, the diary records that Robinson has become increasingly focused on a writing project and MacKerrell writes about reading an early draft of Robinson’s original novel, also titled Withnail and I, which formed the basis of the later screenplay. The diaries include references to public events such as the 1974 General Election, plays, films, and music, and to visits home to his family on the isle of Islay. In January 1975, MacKerrell records a short holiday in Gloucestershire that was more successful than Withnail’s fictional trip to the Lake District. Several entries also describe the valiant attempts of estate agents to sell the Albert Street house, despite MacKerrell’s sleeping or drunken presence. 

“Vivian MacKerrell’s diaries are a wonderful discovery," said Dr Gabriel Heaton, Sotheby’s Books & Manuscripts Specialist. "They preserve a witty, acrid, unapologetic and melancholy voice, and describe a squalid bohemian lifestyle that is instantly recognisable to lovers of Withnail & I. The diaries are a touching tribute to MacKerrell’s friendship with Bruce Robinson, and the impact they had on each other’s lives. These diaries allow us to better understand and celebrate one of the real-life characters who inspired it.” 

Vivian MacKerrell
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Sotheby's

Vivian MacKerrell

Part of Vivian MacKerrell's diary
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Sotheby's

Part of Vivian MacKerrell's diary

Photos of Vivian MacKerrell
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Sotheby's

Photos of Vivian MacKerrell

Excerpts from the diaries 

"...I drank some lighter fuel - got frantic & burst into tears - walk in the park & bed at 5AM..."
 26 January 1974

“David asked B. for his rent today and mine too - je n'ai rien - hardly enough for a pint - if I had the bread I'd be drinking the finest wines oh Lord! Work! Work! Bed at 12:45 with the grisly thought of another day like today tomorrow.”
 27 February 1974

"O Lord the march of time in its inexorable grey cloak – we’re into May now! No job, no chick and no bread – still nil Carborundum. And what is worse – as I peered into the dusty intestinal hall no Bunce [unemployment benefit] I had a fag and coffee and hastened out to a blustery but hazily sunny day…” 
2 May 1975 

“Up at about 9.30 to go down to sign on with B[ruce]. The labour [exchange] seemed fuller than usual – they’ve cutdown on staff – the buggers. After a pint... I read and corrected more of ‘Withnail and I’, his book and when he came back we opened the bottle of Pouilly-Fuissé that L had put out in the windowbox to chill…”
 27 March 1974

“…Up first – as usual and out for a copy of the Sun and a bottle of red – Bruce’s bunce had not come... He ‘phoned them but to no avail so he went out to purchase a bottle of Pernod while I had a bath. When I finished the bath I lashed into the pernicious liquor with him & also into reading Othello. Cassio is a difficult part – another goody goody – at least he displays one flaw getting pissed –shouldn’t have much difficulty there. Got a decent buzz of the Pernod and was slumped in front of the telly…”
 25 March 1974

“Up bedtime and over to Spread Eagle for wine then another. Then changed into suits + B + I went for a large Pernod as a double bunce arrived for him… down to the Little Theatre to see Chick she said if B + I were to do the play she’d be worried about us being stoned - Christ I said - How dare you - and persuaded her that we had discipline at our fingertips… Back home by tube and so to kip with copy of men only. God what a fate. Must work work work.”
 29 March 1974