News | January 8, 2025

Mark Twain's Humor Explored in New Exhibition

Nicole Neenan/Grolier Club

The Good Old Game of Innocence Abroad. Salem, Mass., Parker Brothers, ca. 1901. From the Collection of Susan Jaffe Tane.

The Grolier Club will explore the singular wit of American literary legend Mark Twain in the new exhibition A First-Class Fool: Mark Twain and Humor. On view from January 15 through April 5, 2025, the exhibition examines the work of Samuel Langhorne Clemens who crafted the “Mark Twain” persona and built a legacy that continues to influence humorists today.

Featuring more than 120 works - many displayed for the first time - drawn from the private collection of Susan Jaffe Tane with highlights from the Henry W. and Albert A. Berg Collection at The New York Public Library, A First-Class Fool presents first and rare editions of Twain’s published works including:

  • presentation copies, first periodical appearances, and uncommon variants
  • books from Twain’s library and other personal effects
  • autograph letters and manuscripts
  • photographs
  • ephemera including his Williams 'grasshopper' typewriter

The exhibition title is drawn from Clemens’s response at an 1899 dinner in his honor at the Savage Club in London. Toastmaster Sir John MacAlister joked: “Mr. Clemens had tried to be funny but had failed, and his true role in life was statistics … and it would be the easiest task he ever undertook if he would try to count all the real jokes he had ever made.” Clemens replied: “Perhaps I am not a humorist, but I am a first-class fool–a simpleton, for up to this moment I have believed Chairman MacAlister to be a decent person whom I could allow to mix up with my friends and relatives.”
 
Exhibition curator Susan Jaffe Tane said: “Twain’s self-identification as a "first-class fool" captures his dual literary role as a simple, folksy author and speaker on the one hand, and an intelligent, cultured, and nuanced literary craftsman on the other. Twain worked carefully to give his public voice the appearance of something naturalistic and unrehearsed. Mark Twain was the performance of Samuel Clemens’s lifetime.”

A First-Class Fool follows his life from birth in 1835 in Missouri, through his travels, his redefinition of the American novel, his work ethic and personal musings, and the development of Mark Twain as an enduring “brand”.

Mark Twain's The Jumping Frog; In English, then in French, then Clawed Back into a Civilized Language Once More by Patient, Unremunerated Toil. New York and London: Harper and Brothers, 1903. From the Collection of Susan Jaffe Tane.
1/3
Nicole Neenan/Grolier Club

Mark Twain's The Jumping Frog; In English, then in French, then Clawed Back into a Civilized Language Once More by Patient, Unremunerated Toil. New York and London: Harper and Brothers, 1903. From the Collection of Susan Jaffe Tane. 

Lloyd’s Map of the Lower Mississippi River from St. Louis to the Gulf of Mexico. New York: J. T. Lloyd, 1863. From the Collection of Susan Jaffe Tane.
2/3
Nicole Neenan/Grolier Club

Lloyd’s Map of the Lower Mississippi River from St. Louis to the Gulf of Mexico. New York: J. T. Lloyd, 1863. From the Collection of Susan Jaffe Tane. 

Mark Twain's The Adventures of Tom Sawyer. Hartford: American Publishing Company, 1876. From the Collection of Susan Jaffe Tane.
3/3
Nicole Neenan/Grolier Club

Mark Twain's The Adventures of Tom Sawyer. Hartford: American Publishing Company, 1876. From the Collection of Susan Jaffe Tane.

After working on steamships on the Mississippi, Clemens debuted his pseudonym as a journalist in the early 1860s. In 1865 he published the tall tale that launched his career, The Celebrated Jumping Frog of Calaveras County. On view in the exhibition is a bright red 1903 edition titled The Jumping Frog; In English, then in French, then Clawed Back into a Civilized Language Once More by Patient, Unremunerated Toil, which he “retranslated” after being frustrated by the poor quality of unauthorized translations that removed the humor from his story. Following the success of the Jumping Frog, Clemens traveled a great deal, writing humorous letters from Europe and the Middle East later published as The Innocents Abroad, his first commercial success and bestselling book throughout his lifetime.

A prolific letter writer, from his early days as a riverboat pilot through his last days in Bermuda, Clemens corresponded with friends, family, and admirers. Many handwritten letters on view show his comedic persona, while others provide glimpses into the man behind the name. On display will be an 1859 letter to family friend 'Aunt Betsey' (Elizabeth W. Smith) in which Clemens complains “I am in a bad way again—disease, Love, in its most malignant form. Hopes are entertained of my recovery, however.”

During and after his life, the name and image of Mark Twain have been used to sell cigars, games, domestic goods, and foods. Many popular examples are on view in the exhibition, including The Good Old Game of Innocence Abroad, a board game named for Twain’s travelogue, created by Parker Brothers in 1888. A video installation shows many Twain-influenced productions from the 1960s to the present day, showing Twain’s enduring presence as a pop-culture phenomenon.