News | June 13, 2023

Major Maurice Sendak Art and Literature Collection to Auction

Heritage Auctions

No Star Shines As Bright as Me, Really Rosie

Maurice Sendak’s illustrated Brothers Grimm tales and Where the Wild Things Are are among the significant works on offer in Heritage Auctions' June 30 Wild Things: The Art, Literature, and Theatre of Maurice Sendak auction.
 
“This extraordinary opportunity presents works from the full spectrum of Maurice Sendak’s career,” said Meagen McMillan, Heritage’s Senior Consignment Director of Illustration Art. “From his first available illustrations in 1947 to his last works created in the early aughts, it covers every aspect of his output. The price points, too, cover a range that welcomes new collectors as well as Sendak’s connoisseurs, everything from posters and toys to Sendak’s first drawings for Wild Things.”
 
“Sendak did not illustrate at children,” says Justin Schiller, Sendak’s close friend, collaborator and a children’s literature bookselling expert. “He illustrated for children, for the young adults they were becoming. He did not want to frighten them. He wanted to tell them the truth.” The June 30 sale is a continuation of Heritage’s longstanding relationship with Schiller as he parts with some of his most beloved Sendak works. 

Familiar characters and rarities are included in the sale. Sendak’s original and singular works on paper – studies and completed illustrations in pencil, ink, and watercolor – are among the top lots, including the only cover Sendak completed for the New Yorker magazine in 1993. We Are All in the Dumps with Jack and Guy, with its worried-looking moon hovering over a chaotic New York City, joins Sendak’s New Year's Baby for The New York Times editorial illustration in 1976 in this event. An ink-and-pencil on paper alternative illustration of the baker for In the Night Kitchen, from 1969, proves Sendak’s mastery of robust and ever-dynamic composition, and his full-color watercolor illustration study of Moishe, a Wild Thing.

Baker, In the Night Kitchen
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Heritage Auctions

Baker, In the Night Kitchen

Everyone Deserves a Night at the Opera
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Heritage Auctions

Everyone Deserves a Night at the Opera 

Hillbilly Wild Thing, Moishe illustration study
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Heritage Auctions

Hillbilly Wild Thing, Moishe illustration study

Pictures by Maurice Sendak
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Heritage Auctions

Pictures by Maurice Sendak 

The Acrobat
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Heritage Auctions

The Acrobat

The Credit Crunch no. 1
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The Credit Crunch no. 1

We Are All in the Dumps with Jack and Guy
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Heritage Auctions

We Are All in the Dumps with Jack and Guy

The rarest work according to Schiller is a folded, eight-panel drawing from 1959 titled The Acrobat. Hand-colored by Sendak, he issued it as a Christmas card that year. Only 30 copies were printed, and the publisher Bob Brooks and the artist each received only 15 copies to distribute that year. There are only three copies located on OCLC, and only one copy sold at auction (2014). This copy is from the library of Judy Taylor, Sendak's British editor at The Bodley Head. The panels depict a lone tumbling boy limbering up for the holiday season.

Also featured are until now unavailable rarities of Sendak’s output. A watercolor illustration from 1971, titled Pictures by Maurice Sendak, was created by the artist as an introduction to a pictures portfolio and exhibition at the Society of Illustrators. It shows Wild Things Moishe and Lady in a gallery taking in the portraits of Mickey, Max, and Alligator hanging on the wall. The Credit Crunch no. 1, a study dated 1966-68, is along with The Credit Crunch no. 2 Sendak’s earliest use of Wild Thing-like characters for commercial advertising. Other highlights include original illustrations and rare promotional materials from Really RosieLittle Bear, and Higglety Pigglety Pop

Sendak’s love of the stage also led him to create sets, illustrations and advertisements for his favorite houses, productions, and troupes, including his work for the New York City Opera (1982’s season included Candide and Hamlet), Tchaikovsky's Nutcracker (1996), Prokofiev's The Love for Three Oranges (1981) and more.