Five Rare Books for Collectors: Occult

Peter Harrington

Gerald B Gardner, The Meaning of Witchcraft

Highlights from Peter Harrington's recent catalogue Friends on the Other Side: Journeys in the Occult include:

* Gerald B. Gardner, The Meaning of Witchcraft. London: The Aquarian Press, 1959

First edition, first impression, of Gardner’s final book. Gerald Gardner (1884–1964), the influential rediscoverer, or inventor, of the “Old Religion” did much to influence the general public’s perception of witchcraft and increase media interest in those practising. Gardner founded what became known as Gardnerian Wicca, combining aspects of a supposed pre-Christian witch cult found in the works of Margaret Murray with concepts found in ceremonial magic and the writings of Aleister Crowley, amongst others.  

* Reginald Scot. The discoverie of witchcraft. [London: William Brome,] 1584 

First edition of one of the most important works on witchcraft in the English language, often found defective or internally made-up. This is a superior copy, being complete, clean, and unsophisticated. It also has appealing annotations and manicules by an early owner which demonstrate a close and knowledgeable reading of the text. Scot’s work is radically sceptical: he denies that there were any witches in contemporary England and asserts that all those executed for witchcraft were innocent. 

 

eginald Scot. The discoverie of witchcraft
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Peter Harrington

Reginald Scot. The discoverie of witchcraft

Two stereographs, one depicting the successful use of a Ouija board. Concord, New Hampshire: H. P. Moore, 1869
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Peter Harrington

Two stereographs, one depicting the successful use of a Ouija board. Concord, New Hampshire: H. P. Moore, 1869 

Charlotte Wolff, Studies in Hand-Reading. With a Preface by Aldous Huxley. London: Chatto & Windus, 1936
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Peter Harrington

Charlotte Wolff, Studies in Hand-Reading. With a Preface by Aldous Huxley. London: Chatto & Windus, 1936 

Ithell Colquhoun. Archive of magical writings and original illustrations. c.1958–79
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Peter Harrington

Ithell Colquhoun. Archive of magical writings and original illustrations. c.1958–79

* Two stereographs, one depicting the successful use of a Ouija board. Concord, New Hampshire: H. P. Moore, 1869 

A charming example of spirit photography, showing two young women using a planchette and Ouija board, with a third ghostly figure stood between them. It is accompanied by a second stereograph capturing a card game. Both provide an insight into the parlour room of well-to-do America in the 1860s and the activities that occurred there. The photographer, Henry P. Moore (1835–1911), completed a series of spirit photography in 1869, of which we have traced “Planchette”, included here, and two others: “A seated young woman with a ghostly figure” and “The Guardian Spirit”. His images are typical of spirit photographs produced in the late 1860s and early 1870s: as the relatively new medium of photography became cheaper spirit photography grew in popularity, its appeal clear in the aftermath of the Civil War and concurrent growth of the Spiritualist movement. 

* Ithell Colquhoun. Archive of magical writings and original illustrations. c.1958–79

An exceptional archive, the largest known in private hands, of the “magical” writings of one of Britain’s most important surrealist artists, Ithell Colquhoun. It was compiled by Steve Nichols, who edited and published much of the contents in The Magical Writings of Ithell Colquhoun (2007). The archive is broadly divisible into three themes: Colquhoun’s occult writings and material pertaining to her membership of occult groups; her notes and materials pertaining to Ireland; and her incoming correspondence from other occultists. 

* Charlotte Wolff, Studies in Hand-Reading. With a Preface by Aldous Huxley. London: Chatto & Windus, 1936 

First edition, first impression, uncommon, especially so in the jacket. Huxley provided the preface to this work, and it was he and his wife Maria who persuaded a number of those figures included, such as Virginia Woolf and George Bernard Shaw, to have their hands read.