Other lots include work by photographers Chris Killip and Graham Smith who both recorded the devastating effect of industrial decline of communities in the north of England in the 1970s and 1980s. Among these are Killip’s 'Cookie' in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1984 with the darkened silhouette of a lone figure walking against a strong wind in a bleak and icy landscape. The landscape ruin in Graham Smith’s The Black Path, Clay Lane Furnaces, Derelict Remains of Cargo Fleet Iron Company, South Bank, Middlesborough, 1982 shows the decline of a once thriving industrial landscape.
In 1991, photographs by Smith and Killip were included in a group show at The Museum of Modern Art in New York alongside John Davies, Paul Graham and Martin Parr called British Photography from the Thatcher Years. “Following the backlash by some UK newspapers, which Smith felt adversely affected the individuals and communities he had photographed, he gave up photography to become a woodworker," said Nigel Russell, Heritage’s Director of Photographs. "His photographs only occasionally appear at auction."
Other highlights include:
- Kiichi Asano’s homage to the Japanese winter landscape
- Cristina Piza’s portraits of Havana neighborhoods
- Jindrich Štreit’s glimpses into life in rural Slovakia under Soviet control
- Karen Knorr’s studies of wild creatures in Indian settings